Ok. Aspiring/burgeoning Writer Starter Kit:

Pls make a list of books you recommend to aspiring writers<3

Ok. Aspiring/burgeoning writer starter kit:

In writing anything you officially become a writer so that’s step one haha, no need to aspire too much. BUT. I’m going to soapbox for a bit using this ask as an excuse love u kissing u etc. So. This will barely be about books, but sort of the recipe of what I (personally and subjectively) think will help anyone who wants to grow their craft. (I know because I've been writing seriously for 14 years)

The act of writing is the best practice you can get but having a well from which to draw on creatively and skill wise in order to DO that practice is the trickier part. And sometimes we can be found lacking because we’re either NOT refilling that well enough, consciously enough, or only with the same sorts of things so it gets stagnant. This is a long one so I’ll shove it under the cut haha.

The recipe:

Study craft

Broaden horizons 

Diversify consumption

Consume with intention

Apply with reference

1) Study craft: this is the easiest to make sense of, right? I want to get good at writing so I read books about writing yada yada. Whatever you’re writing, it’s made up of a lot of moving parts, and you can dedicate time studying EACH PART, but figure out what you have the least experience with, or the most difficulty with, and start there. Also, before I go on to preach about why you shouldn’t solely stake your growth on some dusty old books, here’s some dusty old books I recommend:

The Elements of Style (strunk/white/kalman) (really quick and abbreviated advice, read every bit of this but remember: rules are important to know so you can decide which are worth following and which are in need of breaking for the pursuit of your goals. And nobodies perfect, or editors wouldn’t have a job)

Bird by Bird (Anne Lamott) (excellent work about fostering a process, important for everyone who finds themselves a little lost on how to just. Start)

Wonderbook (Jeff Vandermeer) (I haven’t read this one but knowing Vandermeers work this is on my TBR and I KNOW it’s going to be enlightening)

How to Read Literature like a Professor (Thomas C. Foster) (perfect for those who can see others stories working but unsure how to make their own work, I personally didn’t read much of this one but this will help people to more critically engage with what they’re consuming)

Save the Cat Writes a Novel/Joseph Campbells Hero’s Journey/On Writing and Worldbuilding/etc (all of these are on structure and craft in a concrete sense), I would recommend either choose one OR getting the abbreviated/digestible versions through YouTube because a lot of these can repeat themselves. I’m working on a playlist of writing craft/structure videos that I found helpful, so keep an eye out for that)

So. Studying craft should be a multidisciplinary process. Articles online, videos on niche media, books on craft or copying things from your favorites, looking for yourself in the movies you watch or fiction you read. Punctuation, prose, structure, rhetoric, character, world building, pacing, etc. Unfortunately, no matter how seasoned you become as a writer, you will always be learning new things about the craft itself.

It should be fun and I honestly feel like an enlightened little scientist when I see something that really cracks the open the magic for me (ex: scenes that serve more than one purpose are OF COURSE going to be more engaging that scenes with only one purpose- duh) (of COURSE magic systems should have a cost) (of COURSE the characters cant always win OR always lose)

2) Broaden horizons: consuming fiction and studying it is key to knowing how to reproduce it. We start with the training wheels of imitation before we ride away full speed into truly unique original storytelling. But the most impactful and thought-provoking stories are more than just fiction, so you need to know more than stories. Science, history, art, craft, math, music, cooking, psychology, religion, whatever!

Everyone always parrots “write what you know”, but what you KNOW can expand to influence what you write- so keep learning new things all the time and for fun, because you never know what could help your story. Your knowledge is not limited to experience alone, and research is your best friend. ASOIAF was so loved because George RR Martin loved not only fantasy, but British history. The Folk of the Air series is so loved because Holly Blacks special interest is faeries.

Note: this does not mean the study of OTHER PEOPLES trauma and experiences in an appropriative way, rather, become worldly. Because sure, knowing what a gunshot feels like adds realism, but I don’t care about realism if I don’t care about your characters or world. Science fiction is the best example of this: so many of those stories stick with us generationally because they’re pointing a lens back at humanity, asking big philosophical questions with science, which is something that touches us all.

But it doesn’t even need to be Big and Thematic like that. My dear friend @chaylattes has a project where she’s applied her love of plants to the world building AND plot, and has INVENTED whole plant species that enriched their work with something so exclusively Chay. No one else could write Andromeda Rogue because Chay, with specific interests and knowledge, put that specificity into the story.

3) Diversify consumption: surrounding yourself with more of the same means you’re going to regurgitate the same, derivatively. To be a hater for a moment: I can tell within the first chapter if someone only reads/watches one kind of media (m*rvel, fairy smut, grim dark nonsense, etc), and it’s distracting. When I read that derivative work, I’m not thinking about THEIR story. All I can think of is the people who did it first, and better.

Alternatively, the best work draws on the unexpected. Fantasy work taking notes from horror, science fiction including humanistic romance, romance with elements of mystery. RF Kuangs work feels so smart because she’s literally a PHD candidate who’s reading of academic writing. Cassandra Clares work is so interpersonally messy and hard to look away from because she watches a lot of reality television. 

Genre is less a set of cages to lock yourself inside of and more so the sections of a great big fictional playground- and you need to start playing. Rules, again, are guidelines that can be bent for the sake of your stories. I predominantly write scifi/fantasy/horror but some of my favorite stuff is literary fiction, historical nonfiction, thrillers, and poetry.

And if you can’t bring yourself to read different genres, it takes significantly less effort to WATCH different genres. Television and film are stories too, and can absolutely be learned from. 

4) Consume with intention: this is easier said than done. I, embarrassingly, admit that I did not have any reading comprehension skills until I was at least 19. I was consuming, but I wasn’t thinking a damn critical thought, just spitting it back out in a way that sounded smart.

Critical thinking skills (I say, on the website that historically lacks such a thing) are a muscle that needs to be exercised just as often as your writing muscle. Reading new work, studying craft, learning new shit- none of it matters if you can’t APPLY it all to a story. One can take a clock apart to learn how exactly it ticks, but it won't tell time like a watch until you put it back together.

The key is asking questions, all of the time about everything. That whole “why the curtains were blue” nonsense comes to mind, but if you want to be a good writer, (edit: a writer that cares about whether or not their work is vapid imitation of better work) learning to ask WHY the curtains are blue really does matters.

Ask why in ALL stories you consume, including your own. Why do Ghibli films make me feel calm? (Motifs of undisturbed nature, low stakes plots and quiet scenes of reprieve between action, characters that care about one another and aren’t afraid to show it) Why do I fly through a Gillian Flynn novel but take 8,000 years to read other books? (Concise descriptions, realistic but evocative premise, witty voice, contained and fast paced plot, an abundance of questions driving the mystery leading up to a satisfying crash of answers at the end) Why were the curtains blue, the coffee cup chipped, and the lipstick stain on the rim red instead of purple or pink? And why did the colors matter at all when the scene is about a father at a kitchen table? (You tell me!) Answers may vary.

You can put the work into learning the answer at the source (ie: listening to authors talk about their own work), or through the external interpretations of a critic (proceed with caution here), sure. These are even good when learning HOW to think critically if you don’t even know where to start. But your growth as a writer depends on your ability to answer your OWN questions. 

(Why do I feel tense in this scene? Is it because the character says they’re sweating and struggling to breathe? Is it because I’ve been told the monsters close? Is it because the sentences are getting shorter and the author keeps repeating descriptions of that monsters massive bloody teeth coming closer? Or is it because I know the gun in her hands has no bullets because another character already tried what she’s about to try?)

(Why do I feel sad in this scene? Is it because the characters mom just died? Is it because the character can’t even verbalize that sadness to others? Is it because none of the other characters seem to care enough to ask? Is it because of the wilted flowers in the corner? Or is it because there are daisies in the bouquet, and those were the moms favorite?)

I can nod and smile at 1000 opinions about “why X did Y and the end of Z” or “why X is Y and not Z” but how I felt when I consume something, how I was affected and how it made ME PERSONALLY answer my critical questions, that’s what’s important. That’s how we manufacture gay subtext in everything, because sometimes gay is a feeling as opposed to a fact.

Also, if those subjective answers are inconsistent among readers/viewers, the writer likely had their own intentions a little muddled. So, and I know I’m getting tangential but stay with me: romance. You know how you’re supposed to feel happy or convinced that the people falling in love are like, in love? And want to put yourself in that position or whatever? I CANNOT consume most romance media because it all comes off as categorically terrifying to me. I ask myself why the characters are doing what they do, reacting the way they react, saying way they say, and none of it feels romantic. I want to file a restraining order, and that’s the failing of the author, who did not make enough conscious choices in their work and accidentally created horror while writing their color by numbers trope slop of a “romance” novel. 

5) Apply with reference: is like taking all your ingredients and finally cooking. You want people to notice and respect when you add certain literary devices, descriptions, character choices, but not to the detriment of your work. Shows like stranger things are popular but divisive because their intertextuality and reliance on nostalgia bolster an otherwise unoriginal idea. They weren’t trying to reinvent the wheel, they were writing a love letter to Stephen Spielberg, and are riding that wave into the ground. But the fairy dick renaissance doesn’t feel nearly as palatable as season one of stranger things did because a lot of times they aren’t using the ingredients in their own way, rather, following the recipe to a T and selling it as new. Food really is the perfect metaphor and sorry in advance because I’m really going to run with it here lol. 

When I eat a meal, first of all I know I'm eating food, so don't try and trick me into thinking otherwise or I'll only get annoyed. I want to be able to taste all of what’s in front of me, spice, salt, sweet, bitter, etc and know what what you said you've fed me is really actually truly what I've eaten. One ingredient, or writing choice, shouldn’t overpower another, or surprise me so much I can’t take another bite. I shouldn’t try something you call “sauced and baked yeast patty garnished with fermented milk and smoked meat” and think “this shits pizza” because you didn’t even try to jazz it up more than what the instructions on the digiorno box said. I also shouldn’t bite into something you call a pizza and only taste bread because you really like bread and forgot that a pizza is more than just bread. 

But inversely, avoiding all ingredients gets you weird, nary inedible shit like charred milk reduction with lamb mist or whatever. Show me you have knowledge in your genre by referencing it AND remixing it, show me that you studied craft by foreshadowing properly or pacing well, show me you’re more than an AI writerbot by deepening your work with your unique and human influence, show me you read broadly by adding surprising ingredients, and show me that you mean every word you write because you made the curtains blue instead of yellow, and topped your pizza with pepperoni instead of pineapple.

Congrats on making it all the way through my rambling, hope I made sense and that this helped!

More Posts from Lune-versatile and Others

1 year ago

How do you turn a outline into chapters? Like how many chapters does a part of an outline turn into?

Turning an Outline Into Chapters

There's no method or template for how an outline translates into chapters. Instead, it's about breaking down the story into its natural parts.

Stories can be broken down into scenes. A scene is a mini-story that revolves around an important plot point in your story, or in other words a moment in your story that affects a main character's, their path, or the direction of the story. This moment could be:

-- a particular course of action taken by a main character -- an important conversation involving a main character -- an important event involving a main character -- a series of small related moments occurring in the same short period of time, the same place, involving the same character/s, revolving around a particular subject or theme, or from a particular character's POV.

Most scenes are (sometimes loosely) structured similarly to a story, having a small bit of introduction, an inciting incident, rising action, a dilemma, a climax, and a denouement. Like story in general, scenes should have a balance of exposition (explaining things), action (things happening), and dialogue (conversation).

Scenes end when the mini-story the scene is telling ends. Typically, this ending will also naturally shift toward a new plot point that takes place in a different time and/or different place, potentially with different characters.

Go through your summary and find the plot points and moments around which you can build your scenes, and divide them out into their scenes.

Chapters can be a single scene or a group of related scenes. If you have several scenes that take place during a similar time period (in the weeks before and during Halloween, for example), in a similar setting (the characters have traveled to Las Vegas for the week), or involving the same plot point (a heist that plays out over three scenes), these can be grouped together into one chapter. Typically, chapters are made up of one to three scenes.

Once you have your outline broken down into scenes, you can group the scenes into chapters.

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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2 years ago

I probably shouldn't admit this about something I wrote, but I accidentally re-read Carnivore all the time. I'll open it to look something up to reference in Gripped Tight and then start reading like "oh shit, this was good. oh dang i did that so true of me. oh wow i'd forgotten that part i love that jeez!" lol

1 year ago

You bored, or feeling artsy but don’t have any inspiration...? *updated!*

Do you need to distract yourself? Or are you simply bored? Here are some great websites to make the time pass.

create pixel art

Awesome photo editor and art program, all free…!

Totally free transparent textures

make a cute chibi

draw some cool generative art

be a graffiti creator

create a picassohead (you don’t need to be a picasso to do so)

paint online

another awsome site to create pixel art on

and another one

create your own mandala

or color one

create an avatar

or you can try creating your own superhero

here you can interact with organisms in different environments to see how to music changes

here’s a website that translates the time into hexidecimal colours,

Here is a website where you can travel along a 3D line into the infinite unkown

here is a website where you can listen to rain with or without music

Need a model in a certain pose for drawing? here

Want to build your own planet

here is a website where you can create your own galaxies

make your own pattern (very useful if you need a new background)

create next hit comic

make a city which looks like something from 90′s games

draw a mandala like design

jig saw puzzles

more jig saw puzzles to solve

create a stunning HTML5 animation - no coding!

make a movie

create and dress up dolls

play a piano

you can also play a guitar

create sounds

another sound creator

create a logo

design your dream home

sketch rooms

explore fashion trends and create your own sets

build a website

try this app for building a website

Or maybe start learning how to code!

design your own t-shirt or a beanie or sweatpants and order them

design your own phone case

pretend to be a graphic designer with this cool online tool

Make your own Glitch art

Here’s another glitch art maker

And another!

Holy hell, here’s a third!

make an image look like it was created by a commodore 64

freaking cool text generator!

Easy to use word processor

Make up really cool patterns or run your photos through it :)

Write an essay on anything with no hassle

Wanna see how something you write would look like if it was on JacksFilms YGS((Your Grammar Sucks videos on YouTube))?

Make pictures out of text

ASCII word generator

Need an idea for some fanart-here :D

Still haven’t found something that would float your boat? Try these:

watch a documentary

learn to code

do something yourself

workout with the help of this great youtube channels

learn things

play pokemon or zelda or other awesome old school games

waste your time on miniclip

play games at additing games

or try games at agame

calm your thoughts

the quiet place

it will be okay

vent or listen to someone

pour out your soul

explore the sky

look at art from around the world

virtually visit museum of iraq

explore world with arounder

create a music playlist

list through rare books

scroll useful science website

create sand art

brain games

try out tastekid and discover new favorite band or movie or book

interactive 3D anatomy

random street view

post a secret

create a family tree

find our what’s the difference between x and y

help scientists and become volunteer researcher

create your own font

read a classic short story

In the mood to read, but not sure exactly what book to go for?

scribble on maps

listen to letters

play with acrobots

listen to podcasts

make a bucket list

Ever want to see the most truly useless websites in creation?

Prank a friend with this blue screen of death!

Zone out watching the colors drip down

Maybe none of these peeked your interest-maybe you’ve been wanting to create an o.c, but never really knew how to start-or you just enjoy making O.C’s….

This masterlist is to help you in making your own OCs….it can also apply to developing RP characters i suppose! (´ヮ`)!

How to Write Better OCs:

basic tips on how to make your oc even better

tragic backstory? learn how to write one/make yours great

writing specific characters

a wordier, great guide on how to develop your character

kick out those vague descriptions and make them AWESOME

Character Development:

how to actually make an OC

Q&A (to develop characters)

more Q&As

giving your character a backstory

how to write an attractive character

Need an Appearance idea?

Humanoid generator? check

Here’s another one

and maybe if you didn’t like those this’ll work

Need Monsterpeople?

Well, then here ya’ go

Maybe you need Cats?

Diversity

adding more racial diversity

avoiding tokenism, AKA, how to add diversity to your cast not just because you “need” it

writing sexuality and gender expression (doesnt include non binary, if you have a good ref to that, please add on!)

masterpost on writing more diversity into your story

cultures of the world

guides to drawing different ethnicities (not just a great art reference, but also really helpful in appearance descriptions!)

Mary Sue/Gary Stu

Test to see if your character is a Sue

Explains subdivisions of Sues/Stus

Powerful Characters Don’t Have to Be Sues

Villains

villain generator

need an evil sounding name for your evil character? bam

villain archetypes

what’s your villain’s motive for being a villain?

Relationships

character perceptions (What your character thinks of themselves and what others think of them)

how to write strong relationships between two characters

8 ways to write better characters and develop their relationships with others

OCxLove Interest Handbook

develop your couple with good ol’ Q&A!

how to write realistic relationships

how to write relatives for your characters (this is more OC related to a canon character, but will help in writing family members in general)

ARCHETYPES

12 common archetypes

8 archetypes for male/female characters

female archetypes (goes pretty indepth from two main categories)

a list of archetypes

NAMES

how to name your character

random name generator

most common surnames

surnames by ethnicity

APPEARANCE

tips for better design

basic appearance generator

pinterest board for character design (includes NSFW and images of skeletons/exposed muscle (?) so tread carefully!)

clothing ref masterpost

Clothing generator

Another clothing generator

More clothing generator

Aaaand even more

Steam punk clothing

Char Style preference

Dress Generator

DETAILS

give your character better powers

a list of professions

proactive vs reactive characters

positive and negative traits

interest generator

skills generator

motivation generator

123 ideas for character flaws

list of phobias

Oh shit someone died

Backgrounds and stuff? yep

Quirks

Personality. you need that shit

Need something fandom related?

City generator hell yeah

location? got ya

World-building?

make your own god damn laws

Landscape.

Need Item names?

Fantasy/sci-fi/etc. medicine names

Stuff to make things more interesting.Weapons, clothes, treasures… whatever your characters need.

Item & Artifact Generators

Other stuffs!

Genre, Plot, & Story Prompt Generators

How did your characters meet?

Fanfic plots. you bet your ass.

4 years ago
Better Not Look Too Closely

better not look too closely


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3 years ago

writing resources masterlist v2

happy nano lol here’s a masterlist of writing resources. over 300 links and counting. 

so. what’s in here? well:

where to write

ambient sound + visual ambience

moodboard making/ where to source images

character development

creating a look for your character

prompt, poem, and song generators

map making

medical accuracy in writing

first hand accounts of illnesses/disorders

law and crime writing

weapons/armor

folklore/mythology

esl resources

and way more!

(if any links are broken or i’ve credited incorrectly, please let me know! thank y’all for reading!)

Afficher davantage


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4 years ago

Are you still stuck for ideas for National Novel Writing Month? Or are you working on a novel at a more leisurely pace? Here are 102 resources on Character, Point of View, Dialogue, Plot, Conflict, Structure, Outlining, Setting, and World Building, plus some links to generate Ideas and Inspiration.

CHARACTER, POINT OF VIEW, DIALOGUE

10 Days of Character Building

Name Generators

Name Playground

The Universal Mary Sue Litmus Test

Priming the idea pump (A character checklist shamlessly lifted from acting)

How to Create a Character

Seven Common Character Types

Handling a Cast of Thousands – Part I: Getting to Know Your Characters

It’s Not What They Say . . .

Establishing the Right Point of View: How to Avoid “Stepping Out of Character”

How to Start Writing in the Third Person

Web Resources for Developing Characters

What are the Sixteen Master Archetypes?

Character: A compilation of guidance from classical and contemporary experts on creating great dramatic characters

Building Fictional Characters

Fiction Writer’s Character Chart

Character Building Workshop

Tips for Characterization

Fiction Writer’s Character Chart

Villains are People, Too, But . . .

Top 10 Tips for Writing Dialogue

Speaking of Dialogue

Dialogue Tips

Advantages, Disadvantages and Skills (character traits)

How to Write a Character Bible

Character Development Exercises

All Your Characters Sounds the Same — And They’re Not a Hivemind!

Medieval Names Archive

Sympathy Without Saintliness

Writing the Other: Bridging Cultural Difference for Successful Fiction

Family Echo (family tree website)

Interviewing Characters: Follow the Energy

100 Character Development Questions for Writers

Behind the Name

Lineage Chart Layout Generator

PLOT, CONFLICT, STRUCTURE, OUTLINE

How to Write a Novel: The Snowflake Method

Effectively Outlining Your Plot

Conflict and Character within Story Structure

Outlining Your Plot

Ideas, Plots & Using the Premise Sheets

How to Write a Novel

Creating Conflict and Sustaining Suspense

Plunge Right In . . . Into Your Story, That Is!

Fiction Writing Tips: Story Grid

Tips for Creating a Compelling Plot

Writer’s “Cheat Sheets”

The Thirty-six (plus one) Dramatic Situations

The Evil Overlord Devises a Plot: Excerpt from Stupid Plotting Tricks

Conflict Test

What is Conflict?

Monomyth

The Hero’s Journey: Summary of the Steps

Outline Your Novel in Thirty Minutes

Plotting Without Fears

Novel Outlining 101

Writing the Perfect Scene

Fight Scenes 101

Basic Plots in Literature

One-Page Plotting

The Great Swampy Middle

SETTING, WORLD BUILDING

Magical World Builder’s Guide

I Love the End of the World

World Building 101

The Art of Description: Eight Tips to Help You Bring Your Settings to Life

Creating the Perfect Setting – Part I

Creating a Believable World

An Impatient Writer’s Approach to Worldbuilding

Fantasy Worldbuilding Questions

Setting

Character and Setting Interactions

Creating Fantasy and Science Fiction Worlds

Creating Fantasy Worlds

Questions About Worldbuilding

Maps Workshop — Developing the Fictional World Through Mapping

World Builder Projects

IDEAS, INSPIRATION

Quick Story Idea Generator

Solve Your Problems Simply by Saying Them Out Loud

Busting Your Writing Rut

Writing Inspiration, or Sex on a Bicycle

Creative Acceleration: 11 Tips to Engineer a Productive Flow

The Seven Major Beginner Mistakes

Complete Your First Book with these 9 Simple Writing Habits

Free Association, Active Imagination, Twilight Imaging

Random Book Title Generator

Finishing Your Novel

Story Starters and Idea Generators

REVISION

How to Rewrite

One-Pass Manuscript Revision: From First Draft to Last in One Cycle

Editing Recipe

Cliche Finder

Revising Your Novel: Read What You’ve Written

Writing 101: So You Want to Write a Novel Part 3: Revising a Novel

TOOLS and SOFTWARE

My Writing Nook (online text editor; free)

Bubbl.us (online mind map application; free)

Freemind (mind map application; free; Windows, Mac, Linux, portable)

XMind (mind map application; free; Windows, Mac, Linux, portable)

Liquid Story Binder (novel organization and writing software; free trial, $45.95; Windows, portable)

Scrivener (novel organization and writing software; free trial, $39.95; Mac)

SuperNotecard (novel organization and writing software; free trial, $29; Windows, Mac, Linux, portable)

yWriter (novel organization and writing software; free; Windows, Linux, portable)

JDarkRoom (minimalist text editor; free; Windows, Mac, Linux, portable)

AutoRealm (map creation software; free; Windows, Linux with Wine)


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4 years ago

A Few Tips On Writing Chapters

Give each chapter a descriptive title. 

Especially if you find yourself at sea when deciding how exactly to chop your story into pieces. Even if you don’t want to use chapter titles in your final draft, they’re of enormous use when you’re still figuring out exactly what the shape of your story is. By giving your chapter a descriptive title, you’re giving your chapter a focus and a particular story for your chapter to tell. 

Make sure each chapter has its own self contained narrative arc. 

This is not to say that every novel must be episodic, but that each section should have its own beginning, middle, and end. It should have set up, build up, and resolution. It should ask a question an implicit question at the beginning and provide a slightly more explicit answer at the end. 

Example: one chapter in my book is just 500 words. Two new characters drive into town, get out of a car, knock on a door, and they say their names. The beginning is the introduction of the mystery of these characters. It’s the question “who are these people?” As they drive, you see them and where they are going, which builds towards the answer. As a resolution, you get their names. 

You wouldn’t call this a “short story” by any means, but it does have a firm beginning, middle, end. It is a contained unit. 

A chapter break can–and sometimes should–come in the middle of a scene. 

Twists and cliffhangers can appear at the end of novels, so it would be silly to say you couldn’t end a chapter that way, too. Cliffhangers and twists are usually both a result of other plot points, and the cause of a new problem. Narratively, they function both as the ending of one thing and the beginning of another, so they make for great chapter breaks. Separating the scene at a cliffhanger is often better/cleaner than lumping the entire scene into one chapter. 

Example: Alex is warned to stay away from a dangerous cliff. Alex gets adventurous and wanders toward cliff. Alex falls off of cliff. Beginning. Middle. End. 

Alex is actually hanging from cliff! Alex figures out a way to get back to solid ground, struggles. Alex makes it back to solid ground. Beginning. Middle. End.

You want your readers to “just one more chapter!” their way through your book. Stuffing moments of high tension into the middle of chapters that resolve neatly won’t keep them turning pages.

Always end your chapters on a point of intrigue. 

Using points of tension to bookend chapters is important because chapter endings are usually where readers put a book down during a reading session. They’re very naturally places to close the cover and walk away. 

As a writer, you don’t want this. You absolutely don’t want to give your reader great places to put the book down, because you need them to pick the book up again as soon as possible. Not the next day, or the next week, (or never), but while they have a spare minute during their commute, or during their lunch break, or under their desk in class. 

You want to encourage this by taking that perfectly natural endpoint, that place they expect to be able to put the book down, and forcing them to take even a tiny peak at the next chapter. 

This doesn’t mean ending every chapter on a verifiable cliffhanger, but there has to be something. A character can solve a mystery. A new character can appear. There can be a moment of irony. A new idea. Just so long as it’s something that will make the reader think “I need to know what happens next.” 


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4 years ago

Dawn do u have any advice for people starting skz writing blogs?

Oh! I definitely do! I’ll put them under the cut uwu <3 These are all tips I wish I knew, ranging from garnering readers to how to deal with other happenings. <3

!!!; this is a fairly long post! also, I am no way qualified enough to be giving advice, these are just things I've learnt in my term of experience.

#1: Write what you want to see on this platform, basically build a niche for yourself.

So this is a pretty obvious and often said point, but write what you want to, and when you want to. If it's domestic AUs that you're the most comfortable with, write that! Of course, you can dabble into new genres to discover what your other interests are, but don't for yourself to write something just because it's a popular topic. When people find a fic of yours that they like, they'll most likely go to your blog expecting the same kind of stuff. <3

#2: Develop your own distinct style, be it in your blog, in your writing in your layout, etc.

Make your blog's aesthetic/layout as distinct as possible, so that it's identifiable. This just gives a sense of uniqueness to your blog, which oft attracts readers. Ofc by this, I don't mean you need to be a master at photoshop/editing to create amazing aesthetics — you can just use simple elements and blend them together in a way that stands out well. Personally, if I'm to be honest, aesthetics, general neatness means a lot to me. I usually wish for a blog to be de-cluttered have a good and efficient way of navigation without having to search through or dig in a lot myself.

#3: Use tags! On all of your posts.

Like I said in the previous section, I wish for a new blog I'm going through to have a good and efficient way of navigation. Use tags, not just on your writing, but all your posts. This can facilitate easier viewing of same posts grouped under one tag, plus if someone prefers to not view something in particular, they can choose not to by blacklisting. Untagged posts are honestly a huge pet peeve of mine dihfuyrharieuhr. That being said, use the correct tags on your post! This post has a good note on how to garner readers as well as tagging.

#5: It takes time for you to gain attention for your work, and it takes time for your writing style to develop into something unique.

This is honestly something I wish I knew when I started writing. I'd see all these blogs get so much interaction and anons and notes on their writing, and while I was happy for them, it made me feel insecure that maybe I wasn't as good enough for them...? fast forward to six months later, I had nearly the same amount of interaction as they did. So it's really all about working towards your way to create a distinct writing style, all whilst improving yourself. Don't be demotivated when you don't get interaction at first, because it takes time for your style to be recognizable and it takes a while to improve, so as and when you write, you'll get better and better! <3

#6: Interact with other writers' writings!

This is also something I wish I knew. interacting with other writers is a way to make new friends, plus give your blog some exposure. of course, that's different from clearly exploiting a blog's status for follows. Make friends with other writers, and reblog their writings (ofc, only if you read them and you liked them, don't force yourself to)! 99% of the time, whenever someone leaves feedback on my writing, I check their blog, and if their writing is something I like, then I follow them! So yeah, this site literally thrives off interactivity, so don't be afraid to interact with writers!

#7: When you're posting your writings, make them clean to look. They should be pleasant to the eye.

What I mean by this is that your layout should not be too compact, hard to read, or straight up painful to look at. Don't use those 𝓈𝓌𝒾𝓇𝓁𝓎 ass fonts, because half the time, they won't render on most devices, and they're often horrible to look at + impossible to read for someone who uses a screen reader. Don't use tinie font on your posts for the same reason.

And! Banners! They're a great addition to a fic, and make it attractive to look. I can't tell you how much a good, well made banner can affect my view on whether I want to read the fic or not. However, i have some negative points about it too. Don't make banners if you don't know how to, only for the sake of making them. This doesn't mean you shouldn't experiment, hell, my first banners were total crap. It of course takes time to learn editing (provided you have an interest in it), but my point is: a banner is used to attract attention to your fic, yet if you have a bad-looking banner, bad layout, bad presentation, (coming from me) I tend to not want to read the fic.

I think a lot of people don't tell new writers that layouts are very important. Most of the stuff is covered in that post I liked, but having a distinct, unique, neat (emphasis on neat — you don't need fancy banners and fonts, just make sure it's not painful to look at) layout really helps. Don't use overly contrasting color combos like this and make sure it is neat, and pleasant to look at. You want to attract attention to your fic, not make it hard to read. While banners and aesthetic photos are not very important, a neat lay!!!!!!out is very essential, to increase your reader count and actually ensure that your fic is readable.

#8: Just know that the number of notes your fic gets is all in your luck.

Just because you get less notes doesn't mean you're any less of a writer! Hell, I know so many phenomenal writers that deserve so many more notes. Your note count can depend on several factors, including (but not limited to) your posts not showing up in the tags, the genre you've written is not a very popular genre (that doesn't mean you shouldn't write it! There will be biases towards genres in the fandom, but write what you want), or the fact that this site is often treated like instagram. So if you get less notes on a fic, don't be demotivated! You have every right to ask for more interaction on your fics from your followers, but don't let it think you're any less of a writer.

That's it! If you have any specific doubts, feel free to send another ask, or a dm! <3


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