Hi, welcome!!! You can call me Runa or Mythos, the choice is yours! She/Her.Professional yapper, if I talk I'm probably going to talk a lot. I write stories... Sometimes.I cannot draw for the life of me, so any art on my blog is NOT MINE and either from online, a friend, or a reblog.
53 posts
They do, isn't it obvious?
what if p4 shared one braincell
I think I won't post for another six months
Some trash memes while waiting for spoilers
OMG!!!! I can never have an original thoughtđ All jokes though, it's such a nice idea. Something like this is in the lore of a series I'm planning but I haven't gotten here yet.
It's a story about Witches, who wants it???
âSo mermaids and sirens are two different species?â âJust so. My people, what you call mermaids or merfolk, share a common ancestor to you humans, making us distant cousins. What you call sirens, however, are fish that evolved to look and sound like humans to attract their favorite prey.â
THE WAY THAT'S IN MY DRAFTS RN
That story made me who I am today and I can't help but hate it whenever I think about it. So instead I make a sequel fanfic.
sex is fine but have you ever thought about all the ways youâd rewrite a flawed piece of media that shaped your life and holds a special place in your heart despite its unfulfilled potential
Gardening is for the traumatized characters who watched the mentor die
stop killing the mentor just because itâs "what youâre supposed to do." let them retire and take up gardening instead.
The pain of being criticized for your interests as a child really never subsides.
I'll answer as long as it's not too personal for me!
Hello please reblog this if youâre okay with people sending you random asks to get to know you better
It's because we're just being told what's going on. It's a common misconception that writers are their stories creators. We're all just historians of another world.
âi donât make the rulesâ i say about the novel that i, alone, from my neurons, created
Design appreciation!!!! Amethio- He's so pretty!! It's a shame he's a villain though. My sister thought he was a girl when she first saw him
Who wants me to write out an essay about why I think Elizabeth Midford is a badly written character??? I don't hate her, but I think her writing could use some work. I just might
Please don't attack me!!!!
I'm so sick and tired of hearing about AI this AI that. AI is just recycling what people give it, it has no soul, thoughts, or feelings put into what it writes.
I shouldn't have to search an image, looking through it in an attempt to find out if it's real or not. I should not have to wonder if the story I'm reading is AI or not. Plagiarism checkers shouldn't need to have built in AI filters because so many people are using AI to do their assignments at school.
I'm not on the internet for a robot I'm here for what the internet was made for; To connect with and view the thoughts of others.
AI isn't magic, it doesn't have a brain, it can't think of original ideas.
I'm scared of posting my writings online sometimes tbh, bc I wonder not if people will like it, but if people will steal it and pump it into an AI. I want to do it though. But everyday I kinda wonder-
Is it even worth it if I'm just going to be phased out?
I get so mad when I see stuff like this
"This fic was ai generatedâ" Cool, so lemme block you real quick
They keep changing their username (the updated ones are in the comments) and even commented on the post. If you can't draw either just accept it or learn how. Reblog if you want art on your acc so bad, at least the original is credited.
@ri-kamui (formerly @nri-kamui) is very proud to be stealing fan art. Please make sure not to interact with their posts. Do not send hate mail, but consider reblogging to spread awareness about this blog.
But where would you find a microwave that big?
put him in the microwave
note: pls donât tag as ship
Truly something for everyone in this series.
People in the Kuro fandom need to make more Vincent Phantomhive contentđđ
SYMBOLISM
A little shoutout to all the artworks where Ciel is literally food on a plate for Sebastian đŁ
Love them all <3
I don't like tea, but I'd try that
midnight tea party
SAY IT LOUDER FOR THE PEOPLE IN THE BACK
I know two men who are currently single. One is 26, and the other is 38.
Iâve spoken with both of them at length about what they want in a woman, seeing as theyâre cishet and white.
They both immediately went for physical attributes. Thin, but needs to have a nice butt. Boobs canât be too big. One likes short hair, the other likes long hair. They also went into facial features for some reason. That was the part that made me really uncomfortable as I hadnât expected either of them to have been that focused on appearances.
Aesthetics came next. Both want âalt goth / witchyâ women. It should be worth noting both of these men said their potential partner canât wear too much makeup.
Lastly came personality and interests. They both said this is the most important thing to them, but they also âhave to be prettyâ. Oh, and they need to listen.
I have some single ladies Iâve also spoken with.
Itâs the opposite. They rarely care about looks. Itâs about chemistry, emotional connection, feeling safe, and sharing common goals / ideals.
While I know itâs not âall menâ it sure as fuck is a lot of you. Also both of these men think theyâre part of the âgood cishet white liberal menâ who voted for Kamala, despite one of them not voting at all.
Heâs the 38 year old. To make things worse, heâs trying to date a 24 year old. đ€·ââïž His criteria for a potential partner was also under the age of 30 because it means less baggage and theyâre still âfun to be aroundâ.
You donât want to know what he doesnât bring to the table. Either of them, rather. đ
We do have a male loneliness epidemic, but itâs not womenâs fault. We donât owe you anything. Weâre not vending machines you put tokens into and get sex out of. Male culture made by men and perpetuated by men has made men this way. And itâs your job as men to fix it, not point the finger at us and say itâs our fault for not wanting to be with you. Some of us like myself want to actually HELP you, but you guys rarely want to listen. You instead want to complain to us about our gender and how unfair weâre being by not giving you a chance.
We donât owe you anything.
On January 20th, 2025 and forward, theyâre going to try to take our rights. They may succeed.
Men have to take from us because theyâve gaslit themselves into seeing us as the enemy, despite having driven us away by their own actions centered around self interest.
âItâs not all men. But it sure is a lot of you.â
most important part of the writing process actually is when you loop a single song on max volume and stare at the word document and imagine the characters doing things for 14 hours. this is known as getting in the zone
Anger can be one of the most intense, relatable emotions to readâand one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the characterâs feelings seem overblown, forced, or even cringe-worthy.
So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.
To write anger authentically, you need to understand its roots. People get angry for complex reasonsâfear, frustration, betrayal, grief, and even love. Ask yourself whatâs truly driving your characterâs anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.
When you understand the core reasons behind a characterâs anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.
âShow, donât tellâ is classic writing advice, but itâs especially crucial in angry scenes. Donât rely on generic phrases like âShe was furiousâ or âHe clenched his fists in anger.â Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.
That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many âflaring nostrilsâ can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.
People rarely say exactly what they feel, especially when theyâre angry. Angry dialogue isnât just about yelling or throwing out insults; itâs an opportunity to show the characterâs deeper thoughts and vulnerabilities.
Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your characterâs dialogue feel genuine, even haunting, without falling into dramatic clichĂ©s.
The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesnât always erupt instantly; it can simmer, spike, or deflate depending on the situation and the characterâs personality. Experiment with different pacing techniques to create tension.
You might build the anger slowly, with small signs that somethingâs brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the readerâs emotional engagement, drawing them in without overwhelming them.
When writing anger, avoid falling back on clichĂ©s like âseeing red,â âboiling with rage,â or âblood boiling.â These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your characterâs anger might feel specifically to them.
Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, youâll help readers feel the anger rather than just reading about it.
The setting can be an effective tool to amplify a characterâs anger without overstating it. Small details in the environmentâsuch as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughterâcan create a sense of contrast or isolation that heightens the characterâs rage.
For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe theyâre in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.
An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters donât always have to yell or physically react; sometimes, a single choice can convey more than any outburst.
Perhaps your character cuts off a close friend or says something they canât take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.
Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?
Allowing the anger to simmer in your characterâs mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesnât just disappear the moment the scene is over, adding emotional weight to both the character and the story.