Latest Posts by princess-of-the-twisted-path - Page 2

Please please please 🙏

I need to know what Henry Hidgens was like before the lightning incident. I need to know what he was like immediately after the incident. I need to know when he finally lost his fucking marbles and how long did it take for him to snap. I need to know what it felt like when he first killed someone. I need to know how he got to the point where killing someone is just another Tuesday for him, how he dealt with it so easily and casually. I need to see all the grief and emotional turmoil he went through. I just need to.

a much deserved, big chonky cheese for the world's best lil squire

the plot of nightmare time

VIVE ME A FUCKING CHANCE

PLEAS

SIR

Ohhhhnnbghh god boy Jerry PLEASE

mariah pete bryce steph send tweet

i present, gary slamming homeless man against the counter during feast or famine

Richie Lipschitz washing his binder in the bathroom sink, but he needs to sneak detergent from the washing machine and he is so loud about it

Like Paul will be in the living room and Richie will be stumbling around, opening and closing the bathroom door, and dropping the bottle of detergent before locking himself in the bathroom for the next half hour

Paul doesn't find the ruckus unusual, seeing as it happens every week, but he just calls out to Richie and tells him to be careful before going back to whatever he was doing

cinderellas castle spoilers!!

✨

quick little drawing of queen putrice 💖💖

So has anyone considered a Hadestown AU with Steph as Orpheus and Pete as Euridyce

had a brain blast last night so i made this enjoy <3

I will honestly never get over this

the inspiration for day 2 shoutout to miitopia

THERE'S A CASTLE ON THE HILL, AS THE STORY GOES...

As promised, some initial thoughts on the things I loved about seeing this show. Spoiler free, since most of us haven't gotten to see it yet, and under the cut since I do wax a bit poetic...

Cinderella’s Castle is, in a strange way, an exercise in irony. The show is a retelling of an ancient story that is beloved and recited throughout so many cultures, and yet somehow feels completely fresh. The modern take on glam-punk lighting, a score infused with styles from 80s synth to anime, a high fantasy set with the costumes to match, the spirit of Jim Henson lingering through both the puppets and some larger and intangible vibe, a script combining that Starkid humor and Hatchetfield darkness with a whole different style of speaking… all of these beautifully executed elements melted together into something that I’ve never before seen. To take a tale as old as time and make it unique is no easy feat, but Starkid did so with magic and charm to spare.

Like any good Starkid show, Cinderella’s Castle is relentlessly dynamic: fun and tragic and exciting and just-plain-silly, with many twists and turns and character moments will make you gasp or cheer just as often as you laugh. It simply rollicks. The story clicks right along, especially in act 2, but the characters are so distinct and fun that I found myself almost wishing the Langs had sacrificed their plotting and pace just to spend more time hanging with every single member of this ensemble of personalities.

And that’s also a tribute to the actors themselves. Jeff is David Bowie reborn as the impish and fabulous narrator. Jon and Joey bring Hop A Lot and Crumb to life with so much charm and presence that they practically had the audience eating out of their hands from the very first second. Like, seriously, you will not believe how invested you will immediately become in these talking animals. Kim’s Fairy Queen is as radiant and terrible as promised; her portrayal of immortal inhuman power compels and commands and stands fully distinct from the Lords in Black. Lauren and Mariah are delightfully disgusting as the vile but deeply lovable troll step-sisters; you can feel the fun they’re having practically radiating off of them. Curt’s Tadius is dryly funny and put-upon, but also provides a vitally grounding and centering presence in the larger-than-life world of the Lands That Are. His big scene with Bryce is probably my favorite part of the whole show. James Tolbert is nothing short of an absolute STAR as the Prince, stealing scene after scene after scene with ease and charm and more jokes about genitalia than I think any of us expected. Angela once again displays a completely different facet of her never-ending range, exuding such elegance and control even in trollish filth that I do fear that the kids on the internet are going to start calling her “mother” with greatly increasing frequency. "Facade" was an absolute highlight of the night. And of course Bryce anchors, propels, and heightens every scene she’s in with such apparent ease you forget she’s been rehearsing for weeks and isn’t simply Ella herself. Ella is this world’s bruised, brave, and angry heart, and you will absolutely root for her every step of the way as she wrestles with who she is and learns what it means to claim her own power.

This was Starkid’s biggest budgeted show to date, and you could tell. This group of Michigan Wolverines and friends have accomplished incredible things since the Very Potter days of a single door and some cardboard columns, and I’m so proud of how far they’ve come. And yet Cinderella’s Castle, the fifteenth musical in the fifteenth year, still retains some of that core Starkid magic that I’ve always believed boils down to love. You can so often see that love emanating from the performers on a Starkid stage: love for the show, for their friends, for their craft, for the audience’s energy pushing them through. And the sense of love and support and community radiating from the audience is just as palpable. The man sitting behind me last night was at his first ever Starkid show, and afterwards he remarked in awe how that was the best audience he’d ever been in. And all that love isn’t unearned—it is built and it is nourished by a proud history of creativity, of song and of dance and of laughter and tears. And Cinderella’s Castle, I think, is going to prove an installment worthy of both Starkid’s past and future.

Starkid family, Bogs Hollow grants thee Starlight.

Full spoilers review of Cinderella’s castle

Ok so now that I’ve had some time to ruminate, I really want to share my thoughts on Cinderella’s castle

First of all, I think the song that has stuck with me the most was “I want you to watch” (I’m pretty sure that’s the name) I think it stuck with me so much because of the insane vibes. It was such a banger song, played to the chorus of Cinderella being tortured to death. The song was so haunting and insane. And just that one line “I want you to watch” has been stuck in my head all night.

That being said I wish we had access to the cast recording because I already miss the rest of the songs. Like I remember the song about starlight being so beautiful but I can’t even remember it (Cinderella moment amiright)

In terms of costuming it was the sort of thing that felt like it worked so well you didn’t notice it until suddenly Cinderella came out in her Led starlight dress and suddenly it hits you how amazingly accurate all of the clothing has been.

The actors were all amazing. Idk if there’s more to say than that. Everyone slayed, and Jeff was serving cvnt the entire time.

The characters were absolutely amazing. I feel like Nick lang looked at the moment from NPMD, where Richie says “I love being alive” and the audience started crying, and just made a whole play about it. There were so many immediately beloved characters that died (some brought back thank goodness) that the audience were sobbing about loosing.

Honestly I think the show is amazing. I can’t wait for the digital ticket and if I had more money I’d probably go see it again.

Oh also I saw Curt Mega before the show and all of my friends missed him except my mom. I was shaking so hard just from him walking past us. It was nuts

Thank you for getting into starkid and going to see the show with me! This is definitely a core memory now 👑

Omg ok, just saw the show and it was amazing!!! The songs were magnificent and the acting was top notch. I loved how electric the audience was, they were so responsive and it made every reaction I had feel justified. I have so many thoughts but mostly I’m just glad to be able to unblock all of the spoiler tags.

Omg ok, just saw the show and it was amazing!!! The songs were magnificent and the acting was top notch. I loved how electric the audience was, they were so responsive and it made every reaction I had feel justified. I have so many thoughts but mostly I’m just glad to be able to unblock all of the spoiler tags.

It has been. 10 years since Starkid released their production of Twisted: the Untold Story of a Royal Vizier on YouTube. And. I have. Literally just now. Realized *spoilers* that the lyric "we'll retire to some far off place and share an itty-bitty living space" .

Is goddamn

FORESHADOWING

For when Jafar and Scheherazade end up together

INSIDE THE FUCKING LAMP??????

....... I feel stupid

Absolutely insane that the line "Many years ago... I took my finger... And I pushed it in my penis" is foreshadowing for one of the most emotional and climactic reveals in theatre history

If I had a nickel for the times Starkid musicals had a "Jekyll and Hyde" moment for a character I'd have two nickles which isn't a lot but I just realised it happend twice

Here’s a sad thought about Princess Jasmine in Twisted: The Untold Story of a Royal Vizier, courtesy of listening to the soundtrack again and feeling the feelings about her and Ja’far: this version of the Sultan must be a really bad father.

We never see him interact with his stepdaughter. He already seems rather senile when he steals Scheherazade, and that’s sixteen years before the present day. His sanity may well have completely gone in that time. Even if it didn’t, he makes it clear in his one appearance that he considers everyone in his power to be objects defined entirely by how they can benefit him and remorselessly will torture, enslave and murder them on a whim. I doubt that he’d be sensitive or nurturing toward his child. Now, I think Scheherazade would be a great mother - but she never got to try.

The Sultan has evidently been very neglectful and distant, failing in his duties to teach the Princess how to be both a good person and a good member of royalty. Despite her being his only heir and old enough to marry and rule the kingdom, which apparently has no problem with a female sovereign, he’s let her grow up to be extremely sheltered and not at all adequately prepared for responsibility and politics. It doesn’t even occur to her that having her tiger assault a neighbouring country’s visiting prince might have consequences. The Sultan, and on his behalf the Captain of the Guard, don’t let her know important news and royal decrees: neither what a menace Aladdin is, leaving her vulnerable to him, nor the Sultan’s mass execution of the 2D Department, since for as insensitively egocentric as she is at the beginning, she’s still deeply sentimental and quick to empathize with the homeless peasant Aladdin, so I can’t believe that she wouldn’t be at least a little upset with the Sultan (or more likely Ja’far) over so many lost human lives.

More than that, her immaturity speaks to bad parenting on the most basic level. She hasn’t internalized the Sultan’s cruelty, but has learned his selfishness, entitlement, impulsiveness and poor emotional regulation. Her social skills are notably clumsy and underdeveloped (not picking up on Aladdin’s numerous red flags, “No high five”, “At least Abdul had a family who loved him!”, even cringing herself at the last one). The Sultan’s passed down absolutely zero wisdom of any kind.

Instead it’s Ja’far with whom she has a familiar father-daughter dynamic (“What’s up, are you mad at me?” “Where are you going?” “There she is!”). It’s him who shows concern when she runs away and gives the order to find her before all else, notices that she’s upset and talks her through her feelings, warns her about sexual predators, appreciates her idealism and effort. It’s him who provides the gentle but firm, healthy guidance and challenge that she needs to grow. Who sees her potential, respects and believes in her. Who loves her. However, he is ultimately in her service. Between the imbalanced power dynamic making him wary of treason (after all, the last time he had a stronger relationship than the Sultan with a woman the Sultan called his, it didn’t end well) and his other responsibilities taking away from their time together, he can’t be as influential a presence in his life as he’d like.

Maybe this why she’s initially so resentful of him. Subconsciously she does see him as a father all along, but he hurts her and lets her down sometimes. Like the Sultan, her only official parent, always has. That stings. The differences are that the Sultan hurts her much more, more consistently and without her best interests at heart… but Ja’far is the one she can lash out at and complain to and be a messy adolescent around, because firstly, he’s her subject instead of her ruler, and secondly, he’s actually involved in her life. He cares, and therefore yelling or halfheartedly trying to poison his wine will make an impact. The Sultan is untouchable. We know that she conflates the two in her head as unjust authority figures keeping her trapped and crushing her aspirations (“All the people who say I’m just dreaming, like Father and Ja’far”, one of the only times she mentions the Sultan). It’s easier to blame your problems on an employee everybody else hates than accept that your parent is a bad one.

Maybe this is the root of her discontentment as well, her yearning that she can’t articulate for something more than what the life she’s been given. The joke of “Everything and More” is that she doesn’t need anything besides what she has… but she does. She needs a competent, reliable parent. One who she can trusts loves her the person as her parent, not a servant of her bloodline, and she knows to love as such in turn.

No wonder she falls for “Orphaned at Thirty-Three” hook, line and sinker. She’s never known her mother. Her relationships with her paternal figures range from terrible to complicated. Having unconditionally loving, supportive parents and then suddenly losing them must be the worst thing she can imagine.

But in the end, the Sultan dies and her dad has to leave her. Although he found a way to live forever, it wasn’t enough to save her from the pain of being orphaned at sixteen.

Looks like I’m gonna be “studying” hard tonight

Made a wheel you can spin to find out Where in Hatchetfield You're Going!

⚠️ Warning: some results may not be in Hatchetfield or this dimension. The creator of this wheel accepts no responsibility for anyone who ends up in unfortunate circumstances, or Clivesdale. Spin at your own risk.

(Also please ignore the fact I somehow forgot the name of Miss Retro's when making this. There's no way to go back and edit it now :( )

I keep seeing posts like this

HFHWISI THE TEMPTATION

YAELOKRE X NERDY PRUDES!! HELLO!! This is a redraw of the one frame from the Harpy Hare music video!! :3

reblogs are vvvvery much appreciated!! thank you thank youuu!!!

Grace is a lemur, Pete is a rabbit, Richie is a nighthawk and Ruth is a field mouse!!

(Grace’s animal was chosen by @redfridge !!)

(I also posted this on my twitter if ya wanna go check it out!!)

day 6: storm

i don't like this one as much but oh well lol

@lautski-week

This but it’s Ruth, Richie, Steph, and Pete.

The question is, who would each one be

Hatchetfield Femslash Fortnight Day 3- Gay awakening

there is not enough propaganda on this app for this gay losers and that changes now! look at hannah! i say she is down bad

what’s their name? yellowfire? spitjacket sounds too silly

Au where all of the characters played by Kim Whalen in the Hatchetfield Series are all supernatural and connected.

Like, Holloway we know is a witch and yeah some of them already have some supernatural connection, but like, I want more.

Becky Barnes is absolutely some kind of guardian Angel given she’s a warrior of light. She, along with Holloway, is the person who the others go to for help relating to supernatural stuff and injuries.

Girl Jeri gave birth to a hairy creature that lives in the woods, she’s a werewolf. The lumber-axe man has just lost his mind fully into the wolf, even when in human form, and now Jeri goes wolf to try to protect the kids at camp.

Stacy is that one friend who has like a sixth sense for people but it’s literally a sixth sense. She somehow hasn’t realized she’s psychic despite multiple other people directly telling her.

Karen Chasity is Also a werewolf and is related to Girl Jeri (And has a bad track record with controlling herself on the full moon, thus the cannibalism claim in hatchet town).

Miss Mullberry is theater teacher who goes “caw-caw” at some point. Make her into a half bird. Like a crow person, but nighthawk. She’s been banned from running the lost and found because she keeps on just taking the shiny stuff in it.

Liz Cunnigham we don’t know too much about other than helping charities and that she was once from clivesdale. So, since she was once a chemist, let’s make her into an actual Chemist who sells her products as a small company and that’s why they’re big enough to help charities and be in the honey festival.

Now I just need to figure out Sylvia, Jenny, Reese, and Miss Tessburger.

cinderella’s castle countdown day 3

"Don't kill the part of you that's cringe, kill the part that cringes"

-Richie probably

(Stephanie and Grace's first time eating lunch with the trio ☆)