I am confused.
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A look into the environment layout of Rahlo, along with nine close up species profiles of the native plants!
Feel free to ask questions!
Much of Exoton's plant life is characterized by highly specialized root structures, predominantly growing in a vertical, cone-like shape. Most species are derivatives of a key ancestor, the Giant's Needle, sharing a dense, layered root system with a distinctive spiraling growth pattern. This structure provides exceptional stability and resilience, making root trees some of the planet's densest organic formations. Their durability makes them extremely difficult to fracture, even under significant force.
SWAN 🦢 ✈️ (Strategic Wyvern Aerial Navigator)
"The “SWANS” are biomechanical lifeforms that after years of mimicry adapted to resemble combat jets. Their wolfram-like skin not only is resistant to the toxic and parasitic dangers of the ‘false ocean’ but is nigh impossible to penetrate. While not a real bird they present many similar features and behavior. It's not all too rare to spot them flying in flocks and engaging in courtship
Swans are known to jam signals and strike airborne carriers since they’re an extremely territorial and violent species. First it will race against the enemy (it should be noted their structure allows them to reach enough speed to break the sound barrier) as a sign that they dominate the air space before they plunge the foe into the ground. Competitiveness amongst the species in a similar fashion has been observed to uncertain ends. In spite of all the gathered studies their intelligence and physical feats are still under research but paired with their enormous size and aggressivity is more than a difficult task.
They are rapacious hunters from the skies and encounters are advised against. There’s no current methods to defend against the Swans and in consequence it has obstructed facilities, aviation and transportation."
I had injured my hand last week and I am just starting to get back into the swing of drawing again. Have some animal studies. Pygmy, shrew, Australian, honey, possum, and golden mole.
My name is Saja. I’m a wife, a mother, and a woman who once believed her story would be simple. I thought my days would be filled with watching my daughter grow — from her first smile to her first steps — surrounded by the small joys of everyday life.
But life had other plans.
War has returned to our home. Again. And once again, we find ourselves living under skies that never seem to rest.
There was a moment — a fragile, breathless moment — when the bombs paused and the world seemed to remember us. It gave us hope. We thought maybe, just maybe, we could start to rebuild. But now, we are back in the dark — hiding, holding on, praying.
I’m writing this not as someone seeking pity, but as a mother who has no other choice but to speak.
Imagine holding your baby in the middle of the night, not because she cried, but because the world outside roared too loud for either of you to sleep. Imagine whispering bedtime stories not to lull her into dreams, but to keep the fear from settling into her tiny bones.
This is my life.
This is my daughter’s life.
And even now — especially now — I believe in softness. I believe in kindness. Because when everything else is taken from you, hope becomes the most valuable thing you have.
Why I’m Reaching Out Our home has been damaged. Our lives changed. But through it all, my daughter wakes up every morning with a smile. She reaches for me with trust, with love, with faith that I will keep her safe.
That’s why I keep going.
I’ve launched a campaign to ask for help — not because it’s easy, but because silence is no longer an option. I am asking for support not just for me, but for my baby, and for the quiet strength of so many mothers like me who are fighting, every single day, to hold their families together.
How You Can Help: 🤍 Help us restore parts of our home so we can live with dignity 🤍 Support women and mothers in Gaza with access to care and resources 🤍 Keep the light of hope alive for a generation born in the shadows of war
💛 If you can, please support our journey here:
If you can’t give, please consider sharing. Your voice might be the reason someone else hears ours.
From My Heart to Yours Maybe our lives are worlds apart. Maybe you’ve never lived through war. But if you’ve ever held a child and wished the world could be better for them — then you understand more than you know.
I don’t want my daughter to grow up thinking the world turned away.
Please, if you’ve read this far — thank you. Thank you for seeing us. Thank you for caring. We are still here. Still hoping. Still holding on to every kind act like it’s a lifeline.
I promised you some lions! Let's talk about manes, males, and management.
This is Tandie, the current male lion at the Woodland Park Zoo.
Notice anything odd about him? He's got one of those hilarious awkward teenager manes. Except... this cat is nine years old.
I was, of course, immediately curious.
Manes serve a lot of purposes for male lions, including being an indicator of health and fitness - it's actually a sexually selected trait and a social signal. Mane texture / hair quality / length is dependent on nutrition and the body having energy to grow (and carry around!) that much hair! The color is also a signal: males with darker manes have been found to have higher testosterone levels.
In one research report, wild males were much more likely to avoid a lion decoy when it had a longer or darker mane - but the girls really loved a dark mane. It's thought this is because a long, dark mane is an indicator of mate quality. Males with longer, darker manes have higher testosterone and were pretty healthy: meaning they had more energy for fighting, had a better chance of recovering if they got injured, and generally had a higher rate of offspring survival. Manes matter!
So, back to Tandie. He was actually born at the Woodland Park Zoo in 2014 alongside two brothers, to dad Xerxes and mother Adia.
This was Xerxes (rip).
Obviously, a very large, dark, lush mane on Xerxes here. So where did these blond muttonchops come from on his son?
I asked the zoo docents and got an answer that didn't make a lot of sense. They told me that after the three cubs grew into adolescents, they were moved to the Oakland Zoo together. But living together suppressed his testosterone, and he never grew a mane.
Hmmmm.
Here's a photo from 2016, when the brothers debuted at Oakland. They're a year and a half old in this photo.
(Photo Credit: Oakland Zoo)
And here's from an announcement for their third birthday.
(Photo credit: Oakland Zoo)
Okay, so these dudes obviously all were growing manes as of 2017. I think Tandie is the one on the left in the first photo, and laying down in the middle on the second. What happened?
I was just in the Bay Area for a zoo road trip, of course I went to Oakland and tracked down a docent to ask some questions.
It turns out that shortly after the brothers turned three, they started acting like adult male lions: they started scuffling regularly. It's a normal social thing for male lions to live in groups, called coalitions, but according to my lion experts there's generally a baseline level of some social jostling within them. It wasn't quite clear from what the docent said if they couldn't manage the boys together, or if they just wanted to avoid the scratches and small wounds that result from normal lion behavior. Regardless, they put all three of the boys on testosterone blockers in order to be able to keep them together as a social group.
Now, I don't know a lot about the use of hormone alteration as a form of captive animal management, except in the case of birth control. I don't think it's something that's unethical - there was just a webinar on it that I saw go by - but I don't think it's commonly done with big cats. Lions have kind of complicated reproductive cycles, and for instance, we've been learning that female lions can take much longer to come into estrus again than expected after coming off hormonal birth control.
In males, testosterone blockers (or being neutered) means they lose their manes. This is why a lot of rescues will do a vasectomy on their males instead of a neuter - it allows them to keep their mane and the social signals that accompany it.
Tandie returned home to Woodland Park Zoo after Xerxes passed in early 2022, and the docent told me all of the lions had been off their blockers "for while." I'd guess those things happened around the same time, since bringing the trio down to a duo at Oakland would reduce some of the social tensions.
Hormones are such interesting things, though. One of Tandie's brothers has a full mane again, and the other is still totally mane-less.
As for Tandie, his mane is growing back in, and it looks like he might rival his dad for length and coloration.
He started here, in February:
Yesterday:
What a difference four months (and maybe proximity to a girl) makes!
From the heart of unimaginable suffering, I want to sincerely thank everyone who has supported my family 🙏🏻
Right now, famine is hitting us harder than ever, my heart cries whenever I go to the market to buy any basic necessities! The prices are crazy, and most days my children survive on just bread Hunger and thirst are destroying us, and cooking on fire increases our suffering unbearably! Severe eye and chest sensitivity, in addition to constant stomach pain due to the type of food and the way it is cooked.
All this while we flee from one place to another in fear of bombing, bullets, and imminent danger! I cannot describe what I feel, but it is a feeling beyond exhaustion!
Despite the exhaustion, your support gives us strength and I hope you will not let us down
If you can donate, please do so, or at least help us by sharing, so we can reach those who can
Your kindness truly keeps us going
>> Our campaign is vetted by gazavetters list at Momen & his family
Gaza is full of oppression #The worst is yet to come #Genocide #A resilient people
Drawing a face is one thing, but making a head look 3-dimensional is another challenge. The solution? Planes ✈️ Here are some of my thoughts on that!
This is a preview of my tutorial on drawing the planes of the face - check it out on my Patreon!
Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)
the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh
the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes
mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-
at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses
at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)
(after which he leaves the scene as zelda tries to understand what she just saw)
post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)
the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)
the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict
but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream
he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.
your friends arrive, and the battle begins.
(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)
Beast Ganon(dorf), normal appearance (phase 3)
at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda
(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)
Beast Ganon(dorf) while charging magic (phase 3)
Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)
at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-
the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-
zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.
(heres a rough example for his weapons)
(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)
Beautiful feather texture!
One of my favorite birds is the bittern and one of my favourite dinosaurs is troodon! That's why I combined them into one! By giving this prehistoric creature a marking inspired by this wonderful bird.
You can only reblog this today.
This film is woefully underrated. I wish more of the general public would talk about it. In the circles I’m in it usually just ends up being a bunch of animators talking about it. More accurately we are usually discussing the amount of work animating a horse is lol.
I feel this.
They kept anthropomorphizing him more and more as the series went on. This tends to happen a lot with creatures in animation. It is honestly what happened with Sisu in Raya and the last Dragon I’m pretty sure. The initial concepts of the character /creature are created with a lot of distinct features that make the characters stand out. Then as the production continues, many more hands,(artists, modellers, riggers, texture artists, animators, etc.), all touch on and tweak the design and how the character moves. Some things get improved, some things get eroded away.
Not to mention the art direction and goals for what they wanted the dragons to look like changed from the first movie to the third. The first ones all feel more natural like you could see which dragons were related to each other and they blended in to where they lived. Most of the cast had dappled greens, yellows, and browns. They also had some display adaptations like the deadly nadder’s quill/spikes being a bright yellow against its blue scales, forming several ring display patterns to warn other animals that its tail is dangerous.
Those types of details were not as important to them as the series went on. I think they wanted to make each dragon distinct from the rest and instead favoured certain design trends or gave a dragon one really big distinct feature. Think the antlers on the Crimson Goregutter or how all the design features of the Deathgripper look like they are from either a scorpion or a whip spider. I don’t think they were spending as much time trying to blend these features together in a more natural sort of way. I don’t think that was there goal any more. Plus they probably didn’t have as much time to workshop the designs as they did the first movie.
speaking of how to train your dragon and creature design, the shift from the really naturalistic art direction and character animation for the first movie's toothless- the face getting flatter, the eyes bigger and closer together, getting rid of the little realistic details like the dust collecting between the scales, the pink splotching where the scales end at the nostrils, the muted markings, the animation making a shift from largely realistic animal behavior to much more anthropomorphic- is such a huge downgrade to me, made worse because it's subtle in such a way that you will sound insane if you mention it
(huge L for the "the audience's capacity to find a creature cute and empathetic and expressive is directly proportional to how much it looks like a human baby" principle of character design because the first one is so so much cuter)
Here’s the updated version of my brush set since the last one is a bit old now
Here’s the link to the old set, many of its brushes overlap but not all. You can find both in my pinned post!
Again!!! Do no spread these brushes around do not use them for commercial purposes, they’re either stuff I found free online or made it myself, I do not own them I simply share them cause people have been asking what do I use
I made some charactertured heads of my dog Harris. He has a very big nose. Me and my sister make all kinds of jokes about his head being very moose like in shape.
These little dudes are not only chillin' but also warming themselves in heated cubbies to help them beat a fungal infection!!
Photo from the article in Science.
Research abstract: Nature
Hey guys it's seasons greasons
(Featuring the Prectikar, Obin, and WaraWara, an Arasit.)
Obin is a big fan (pun intended) of the cold but not of other people screaming and jumping on his back. WaraWara is a thrill seeker and would never pass up the chance to go out in freezing temperatures dressed in only a tanktop and jump on a guy 12x her size.
Their shapes and colours are so creative!
Styraphant ethnicity BIG POST! Basically just going over the main 'flavors' that all styraphants kind of fall into. More detail below the cut!
They can all interbreed and are the same species, but have a lot more genetic variation than human populations on Earth! There are about 6 main 'morphs', but that being said individuals with varied lineages may be a little hard to pin down. When in doubt the shape of ones crest is where most will look when trying to assume! Because that IS where most of the variation resides. Big list inbound.
Star. These are the dudes I've been drawin so far. They tend to inhabit around the center of their planets largest continent, in the more tropical zones. So like to live in wooded areas and lush vegetation.
Flame. These guys are named for the upswept tines on their crest. They are the most Northernly, enjoying mostly temperate climates and migrating as the seasons change to avoid chillier weather.
Fan. These guys are FUN. With large webbed tines on the crests of both males and females. They are darker due to their hot, arid home, so typically built to avoid sunburn.
Scallop. These guys are named because the edges of their crested are, in fact, scalloped. They range from temperate to tropical climates, tending to stick to places on the soggier side.
Disk. These guys have completely smooth crests! They are also the smallest variety, mostly due to their more seaborne nature. They have the widest range of climates and tend to move around the most by a wide margin.
Spade. These have a spade shaped face, obviously, with two large tines pointing directly upward. They are found in the colder, Southern continent, the only variety not found on the mainland. Their thickset frame helps them put up with the cold year round.
This is the gist! They cover a wide variety of crest and body type in these groups as they are pretty different!
Most differences come from the different regions each population has settled in as I'm also thinking that they are an older species. So they've had time to become more sculpted by their environments. They get along pretty well though, like I'm thinking it's odd to not associate with each other!