Plotting, Planning, Writing Masterpost

Plotting, planning, writing Masterpost

This is my list of the plotting-related process, it’s constantly expanding and if anyone wants to have the german list, please message me. I’m gonna do the research ressources for various topics another time, promised. Plotting and planning your book

Acts in a story Common errors in english language

On writing a novel Writer’s world (A lot of information at once, but useful)

Worldbuilding Medieval city generator Medieval castles Norse Mythology The Edda translated to english Old german vocabulary pdf for creating names and such Greek gods / greek mythology: https://www.greekmythology.com/ http://www.ancient.eu/Greek_Mythology/ Questions for your world: https://pastebin.com/TUx9QzVq https://inkys-resources.tumblr.com/post/150627441064/world-building-june-prompts-2016 Kitchen stuff, dishes TIPPS AND TRICKS FOR WRITERS Starting a book How to kill a character Action writing National Novel Writing Month Website http://nanowrimo.org/ https://campnanowrimo.org/sign_in Flashbacks Metaphysics CHARACTER DEVELOPMENT Character sheet, extended version Whenever you have too many characters in one room: Off-screen things to do (This is very helpful) Avoiding word repetition (You may have to make the page a bit bigger due to the small letters) How to write a villain

FANDOMS Multifandom castle reviews playlist (GoT, LotR, HP etc.) How realistic are they, regarding architeture? etc. Harry Potter https://www.pottermore.com/ (Why this is totally not overhyped but rather very fucking helpful for fanfics: SO. MUCH. STUFF! Articles from JKR, cut-out pieces from the books that never appeared in them, details about a lot of characters and their backstory, an essay on wands and their meanings etc.) Harry Potter metas by Super Carlin Brothers. Very interesting indeed. http://harrypotter.wikia.com/wiki/Main_Page (This is a bit obvious, but you know, just to add it here) Marvel Cinematic Universe Timeline of all movies Most helpful MCU wikia http://de.marvel-filme.wikia.com/wiki/Marvel-Filme And to be honest watch Marvel’s Agents of S.h.i.e.l.d., there’s a lot more background information about SHIELD than you will ever get in the movies. Not to mention that the show is very good, the characters alone are. But that’s a story for another time. Sherlock BBC http://inevitably-johnlocked.tumblr.com/ http://kinklock.tumblr.com/ https://www.youtube.com/channel/UCKUQWjx8aGnCmXgfAlqiuMg/playlists http://skulls-and-tea.tumblr.com/ Just to mention some blogs I find very interesting, regarding the topic and as infinetely nice people as well. To be continued… (Any recommendations and suggestions are welcomed)

More Posts from Lune-versatile and Others

4 years ago

Got these from Pinterest, idk how to credit but these are not mine.

Got These From Pinterest, Idk How To Credit But These Are Not Mine.

Got These From Pinterest, Idk How To Credit But These Are Not Mine.

Got These From Pinterest, Idk How To Credit But These Are Not Mine.

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4 years ago
Better Not Look Too Closely

better not look too closely


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1 year ago

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

7 months ago

Whenever I see people saying that Hugo's admittedly insane info-dumping in Les Miserables is due to the fact that he was paid by the word, I get unreasonably angry.

Guys, no, you just don't get it. YOU LITERALLY DON'T GET IT.

The guy was writing this book for 20 years. 20 YEARS. It was the work of a lifetime. He travelled around, in France and abroad (Belgium), just to get a close look of all the places he was writing about, talk to the people there, communicate with the place etc. And like, he didn't travel by a motorbike, or cars or airplanes. This was not the vibe at the time.

Also, since we are in the 19th century may I remind you that there was no Google Search at the time. You couldn't just go to Wikipedia and learn about Louis-Philippe and the July Monarchy, you couldn't go to Youtube and watch documentaries about the June Rebellion and testimonies of people that were there and witnessed it. You couldn't just go to Spotify and listen to historical podcasts about the Battle of Waterloo or watch live footage. You couldn't know shit about the way Paris functioned, the history of the city, the importance and the role of infrastructure (INCLUDING THE SEWERS YES) and the way the infrastructure of a city is literally a reflection of the people and the customs and the social plagues that were specific of that city, unless you were, quite literally, a Statesman (and only if you gave a shit, which most didn't). There was no Vice News to inform you of the shit that happened in monasteries or in the labour camps. There was no possible way for anyone to have access to information on any of these things, things that were all of VITAL importance for the fate of french people, that were, for the most part, illiterate, ignorant, and/or struggling to survive until the next day. The solution for this was political conscience and social awakening but how could you do that if you don't have a voice and you don't have basic information and knowledge? But. There was a man that had the means, that had the ressources, that had the money, and he decided to actually do something with that. He decided to speak out. He decided to write a novel about an entire human society and the people in it. How they lived, what they dreamed, how they suffered, how they tried to change their fate, how they failed, how they tried again, and failed again. He gave voice to people who, quite literally, didn't have a voice. It is no coincidence that the book was loved by the people (the mass) but hated by pretentious critics, including other novelists of the time. It wasn't a novel about critics, it was a novel about people. And people loved it. They loved the info-dumping cause it wasn't "info-dumping", nor a """""""filler"""""""" for god's sake, it was quite literally a window to their world, their living space, their history, their roots, their political struggles, a window that they simply didn't have before, and that book gave it to them. It educated people at the time when they couldn't be educated otherwise, at a time when education was indispensable for social change.

But sure Hugo just dedicated 2 decades of his life writing """""fillers""""" to pass the time and get more money lmao. Shut up for the love of god.

Final note: I'm not saying that Hugo's portrayal of french society is without flaws or totally realistic, or that his characters don't seem simplistic at times in their misery and total victimization. This work doesn't delve deeply into the person, that is its flaw. It goes mainly outwards, because its main goal is to educate, while at the same time being immensely entertaining, (at least for people who weren't used to instant gratification like nowadays). That is his value.

1 year ago

The First Thing You Learn in University Creative Writing Classes

I was very fortunate to major in Creative Writing when I went to college. It was a great experience, but I remember being so nervous when I walked into my first class as a freshman.

I'd been writing stories since elementary school, so I worried that this first class would teach me something wildly different than what I knew about writing. Maybe there was some secret formula to creating characters or mental exercises that immediately dissolved writer's block that you could only learn from a professor.

When my first class ended, I was shocked.

The first thing you learn in a university-level creative writing class?

Read more than you write.

It's that simple. I thought my professor had lost his mind, but the many others that followed always echoed the advice.

The advice then saved my ability to write when I was getting through each day during some of the hardest times of my life.

Pick up the good books. The great books. The terrible books that make you quit reading them because they're so bad.

They will all make your writing stronger.

You'll learn how to write fantastic characters, weave plot lines, and paint worlds with words. You'll also learn what you don't like in someone's writing so you can avoid it in your own.

Even during the periods when I wrote nothing at all, reading kept that love for writing alive in my heart.

It's the best way to reconnect with that passion if you've lost it and the greatest way to develop that skill.

Read more than you write.

Your storylines and characters will thank you later.


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3 months ago

Some of my writer’s block cures:

Handwrite. (If you already are, write in a different coloured pen.)

Write outside or at a different location.

Read.

Look up some writing prompts.

Take a break. Do something different. Comeback to it later.

Write something else. (A different WIP, a poem, a quick short story, etc.)

Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)

Do some character or story prompts/questions to get a better idea of who or what you’re writing.

Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.

Set your own goals and deadlines.

Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)

Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.

Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.

Change the weather (in the story of course.)

Feel free to add your own.


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4 years ago

Character Charts

One thing that always gets me excited to start a new writing project is creating a character. Creating a new character is a sure-fire way to amp your self up about your new story.

There is no write or wrong way to create them, you just do!

However, creating a new name and face for a story can be daunting, particularly when it comes to naming the character! I like to choose a name with a special meaning or connection to the story I have in mind.

I find it very helpful to refer to a ‘character development’ chart or ‘character features’ charts.

I'll post some helpful charts down below! I hope this helps :)

Character Charts
Character Charts
Character Charts
Character Charts

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3 years ago
Tips For Writing An Essay With Executive Dysfunction: Do This.

Tips for writing an essay with executive dysfunction: do this.

Write out bits and pieces of the essay. When you get to a part you can’t/”don’t want to” write, put it in bold brackets. Get as much done as you can and come back in a half an hour or so!

If the executive function is still bothering you, take it one bracket at a time. Don’t delete the bracket until you’re done “filling it in,” so to speak. If you need to take more breaks or hop to the next bracket, you can do that too! Similarly, if you have a thought you want to get down but you aren’t sure how to word it, put it in bold brackets as well!

It may not “cure” the executive dysfunction or procrastination problems, but it makes writing the essay more like putting shapes in holes of the same shape. It can be a pain, but the process is a bit more streamlined and user-friendly.

I know this may not work for everyone, but as someone who has really bad executive dysfunction and problems focusing (thank you, ADHD!) this works REALLY well for me! I hope by sharing it it can help other people (with and without executive dysfunction/adhd) too! o/

4 years ago

Hey, help me please. How do you write description in your novels? Not a character one, surrounding ones. How do you describe from 3 POV , the background of the novel?

5 Tips for Writing Great Descriptions

Hi there! Thanks for writing. I talk at length about this in my book The Complete Guide to Self-Editing for Fiction Writers (See Chapter 4 / “Building Your Story World,” Chapter 16 / Setting the Scene, and Chapter 21 / “Choosing the Right Details” for the majority of the discussion about description, but it’s peppered throughout), so I’ll just give a brief rundown here. :)

Tip #1: Use concrete, sensory details

That means describing, with precision, a detail you can see/hear/touch/taste/smell. Avoid using vague words that are hard to visualize or sense, like “the house was ugly” or “the weather was bad.” Instead, choose a sensory detail (or two) for your descriptions, for example “the house was a wretched shade of salmon pink” or “the wind was blowing I could taste dust in my mouth.”

Tip #2: Try not to over- or under-use descriptions

It’s common for beginning writers to either use no description, or go completely overboard. I give examples of both in my book. While there’s no hard rule about how much description is too little or too much (it depends a lot on the particular story, genre, and the writer’s style), I personally like to include around 4-5 sensory details per page.

The idea is to give the reader a solid sense of where they are without going on and on, making them want to skim over as you carry on for paragraphs about the smell and texture of a doily.

Tip #3: Use more description during important parts of the story

Description draws your readers attention to what you’re describing. Use that to your advantage. If that doily contains a blood stain that’s a pivotal clue in your murder mystery, by all means spend three sentences describing the particular color red of the blood or the weird smell it emits. Where you linger, the reader will linger.

Tip #4: Use description to set the scene

Use more description at the beginning of a new scene, or anytime the location of your story changes. I talk about this in the section on transitions in my book. Summary gets a bad reputation in fiction, but these transitional paragraphs are the perfect time to paint the scene with sensory details about your character’s surroundings.

Tip #5: Pay attention to “camera movement”

One common thing I see in writer’s manuscripts is what I call “jerky camera movement.” Here’s an example:

Jesse pulled into the driveway of the suspect’s mansion around noon. A white, floppy dog barked ferociously in the window. It was a warm, sweltering day. Jesse looked down and realized her shoe was untied. The house had three large columns in front, each wrapped with a gawdy red bow. 

In this example, the “camera” moves from the driveway, to the dog in the window, to the “day,” to Jesse’s shoe, to the outside of the house. If that was your head, looking around the scene, you’d get dizzy pretty fast. Here’s a smoother movement, starting wide and focusing in on Jesse’s untied shoe.

It was a warm, sweltering day. Jesse pulled into the driveway of the suspect’s mansion around noon. The house had three large columns in front, each wrapped with a gawdy red bow. In the window, a white, floppy dog barked ferociously. As Jesse approached the door, she looked down and realized her shoe was untied.

These aren’t perfect examples because I’ve dashed them off just now, but you get the idea :) Try not to make your reader seasick by making them look all over the scene (unless you’re trying to achieve that effect, for example, in a scene where your protagonist is drunk or discombobulated).

Hope this helps!


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4 years ago

Okay but why aren’t more people talking about that fact that it’s literally so helpful to put together a playlist based on whatever you’re writing?

It can help for multiple reasons; ones for me would be:

It helps me outline where the story is going

It makes it feel a little more official; like I’ve got my head in the game and there’s no point in turning back now

It gives me a little sense of accomplishment

It gives me something to listen to while writing that’s less likely to distract me; and if it does, the lyrics will only help me imagine the story more

Like- 10000/10 so helpful 100% recommended this, especially if you have attention span issues or if you end up giving up on something if dopamine takes too long to come from it


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