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Stiles on his 100000th rant of the day my beloved
Review: Doctor Strange (2016)
Rating: 8.5 out of 10
Benedict Cumberbatch is Stephen Strange, a hot-shot neurosurgeon turned master of sorcery, in this latest installment of Marvel Cinematic Universe.
While Thor was being coy about magic and claiming that science and magic are the same in his Thor movies, Doctor Strange (the movie, not the character) never argues about it. Yes, Stephen Strange is a doctor and a skeptic, first and foremost, but as he became a believer, so did we as the audience. From that moment onward, magic was never questioned. And boy, what a pretty magic they were.
Remember Inception? Remember the mind-trippingly iconic manipulation of cities and buildings in that movie? Crank those images you have in your mind to 11, and you'd get something resembling the pure beauty of magic in Doctor Strange. They're gorgeous, dynamic, and intensely mesmerizing. Even when Strange is not running from buildings rolling down the street, or running up in the ceiling, the visualization of magic in Doctor Strange is just breathtaking--and especially, unique.
The cast is also a huge part of why the movie works. Benedict Cumberbatch is subdued enough, but with enough levity and charisma to be an iconic Marvel superhero. (And the fact that he looks almost exactly like the comic book character doesn't hurt either). Chiwetel Ejiofor and Benedict Wong are the perfect sidekicks, and Rachel McAdams is the perfect grounding character. I’m not too pleased with how they leave her character, but McAdams is great. Mads Mikkelsen and his sinister kind of charisma makes a memorable villain, even if he doesn't talk much. Forgetting the controversy around the casting of The Ancient One, Tilda Swinton is reliably splendid as the mystical character.
But while it has pretty solid characterization and plot, enjoyment of Doctor Strange depends mostly on visually immersive experience. For me, the story itself almost felt like a TV pilot. It's basically 100% set up, with teasers of what he might be like as a full-fledged Marvel superhero in the future. Doctor Strange is not a bad standalone movie at all, it's just almost meaningless if you don't take into account that we'll be seeing him again in future installments. However, I don’t mind much because I really do think Doctor Strange is a new stepping stone in MCU, in terms of accepting magic. It has an excellent world-building that doesn’t detach itself from the rest of franchise, and the visual is worth every penny.
I suggest you to see it either in 3D (if you like 3D movies at all, although maybe beware with motion sickness if you’re sensitive) because I think it'll be gorgeous, or at least see it in a good middle seat in your trusty cinema to get the most immersive experience. I saw it in cinema with crappy sound, and I really, really wish I had a different experience.
TL;DR Full of magical visual, Doctor Strange is one more solid Marvel origin story.
an npc from a later part of the first D&D game, i will now start referring to them as game A and game B . This character is a high ranking character at a university of magic #dungeonsanddragons #dungeonsanddragonscharacter #ghost #ghostperson #specter #phantom #figerdrawing #characterdesign #conceptdesign #conceptart #myart #art #nofilter #magic #wizard #witch #sorceress #sorcery
King Arthur’s Round Table
The Round Table represents everything that separated Arthur from Uther. People repeatedly point out how Arthur isn't so different from Uther as he'd like to think, because he, too, shunned magic. But that is because of upbringing, and inputted thoughts.
Arthur believed in equality.
The first time he met Percival, he told him to call him Arthur instead of the expected address (my lord, sire, my king). When he first found the Round Table, Merlin was an inseparable part of it, even though he was his servant. This is because he remembered and agreed with what Gwaine said, "Nobility is defined by what you do, not by who you are." He married the servant girl, daughter of a condemned blacksmith, for goodness' sake, because she was wiser than most nobles.
Why he refused to accept sorcerers and magicians is because he did not see them as equal. Every single sorcerer he had met had betrayed him in one way or another, were dangerous people he needed to be careful around. Nimueh, the witch-hunter, Kara, Dragoon the Great, Mordred and his beloved Merlin. His mother and father both died of sorcery. He lost his half-sister to magic. They were criminals. Why would he allow sorcerers equal status if he wouldn't grant that to petty criminals or those acquitted of treason?
No, Arthur was fair to the very end.
He promised Dolma that he would remember there is no evil in sorcery, only in the hearts of men, and he forgave Merlin.
A Fall of Ashes Chapter 9, Now Available
The reward for Ashes is high, so is the fear of displeasing the mysterious Mistress Gru. Ashes’ best chance isn’t avoiding the searcher but being someone they would never suspect of being the young sorceress they seek. available on Kindle Vella and Patreon.
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New Chapter of A Fall of Ashes is up
It hadn’t taken long for Ashes to get into deep trouble after becoming a full sorceress. It had been trouble of the type she either killed, or suffered badly. Now she and the two men she used as cover to escape the guard have to flee. Now available on Kindle Vella or Pateron.
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“Ritual”
The last of the three illustrations I made last year for “Witchzine” fanzine. The theme was “Witches’ Pharmacy/Healing Witches”, so the idea of my illustrations was inspired by the preparation of a healing ritual.
I made a comic, a minifigure recreation of Moss controversy by @pocketss
Knight-errant Customized a Mythic Legions knight figure a bit to give myself a cool, original fantasy character for shots. I’ve always loved knight armor, so this is really fun.
“In Nomine Babalon” #witch #traditionalwitchcraft #pagan #paganism #goddess #babalon #folkwitch #rosary #prayerbeads #cunningwoman #sorcery #devotion #deity #deitywork #spiritwork https://www.instagram.com/p/Cio1IXtO4cp/?igshid=NGJjMDIxMWI=
Triangle and sigil cloths prepared and concentrated for use is scrying.
Heresy As Healing
When I first got into paganism and witchcraft, I did what I think a lot of people do and took a very hard turn in to “fuck Christianity!” The literature and discourse of the early and mid 2000′s didn't help this mindset either. There was a lot of talk about how Wicca (I was an eclectic wiccan at the time) was the survival of an ancient pre-Christian religion and that Christianity stole its practices, holidays, and pretty much everything else, from paganism.
Needless to say my religious baggage went unpacked for YEARS?
That was until i left my more Wicca-inspired practice and found “traditional witchcraft”. In these spaces i found something that i had been lead to believe was impossible: Witchcraft and Christianity coexisting. Not only coexisting, but a style of witchcraft created by almost biblical teachings on their heads and pulling out the magic. Lucifer and Azaezel being sources of witch-power, Cain being the first Sorcerer, the witch’s horned one as the Devil! Seeing the witch-trials as not simply a tragedy, but pulling wisdom and magic from the confessions. All of this was new and exciting!
Beginning my research into this amazing new avenue was the first step in healing my heart and soul from the hitherto ignored scars left by my time in the Church. The more I walked this strange and crooked path, the more I found value in heresy. Calling to the Man in Black at a crossroads, flying from my body to the Witch’s Sabbath, reciting the Lord’s Prayer backwards. All of these were powerful in ways I never thought they could be. I laughed at myself. If you had told me at 18 that in 5 years id be dancing with the Devil, I would have raged about there being no Devil in the Craft. While I understand now why the 90s-2000s were so “anti-devil” and “love and light” I’m glad that we can now look at witchcraft and its history with a more nuanced lens.
Now in some ways I've come full circle. I am not a Christian, and I don't think i ever will be, but I pray to saints, I have a growing interest in Mary, I use psalms and bible verses in my spell work, i craft rosaries as a devotional act to the spirits I serve and honour. My patron goddess has even started to come to me with Marian imagery and titles.
In Fayerie Traditionalism/Fayerism we’re encouraged (sometimes outright told) to avoid and expunge all Abrahamism from our lives and certainly from our Sorcery. We’re told that there is no magic or value in Abrahamic traditions. This has been my biggest hurdle with this path. For me, i find so much power in using folk magic that would be deemed “witchcraft” by the Church, regardless of how much scripture is in it. I think to continue this idea of “there's no place for Christianity in witchcraft” does such a disservice to the history of witchcraft in Europe and the US. So many practices would not exist if our ancestors had not learned to synchronize and hide in plain site. I’m not calling on God when I use a psalm to heal, I'm speaking words of power that have been spoken for centuries by other healers and workers. When I pray the rosary, I do it to honor my ancestors who found comfort in it.
For me, the catholic folk magic and heretical aesthetics do not deter me from path of Fayerie Traditionalism, it is simply another avenue to the same goal. The spirits of this tradition have not shown any ill-will to how I work. Gwynn still comes when I call him “Devil” or “Master” and Gwynnevar herself told me to call her “Our Lady Down Below” or “Our Lady of the Mound/Hill” Taking back my power from Christianity and seeing the Wisdom in its heresy has made me a better person and a stronger sorcerer. I have not lost my faith in the Fayerie People but have come closer to them.
All this is to say:
Be free
Be powerful
Be a Heretic
Nema
The Herbs of Saint John
Before sunrise this morning I went out and took part in my first bit of French-Canadian folk magic (ie Sorcellerie). Since I’m really bad at timing things properly and planning ahead it was a little haphazard but overall I’m proud of myself for connecting with my ancestry.
I’ll provide links below but the quick and easy rundown is this: herbs are most magically potent on Saint John’s Eve and must be gathered between midnight and sunrise on Saint John’s feast day (June 24th). The herbs vary from place to place except for Mugwort (which sadly I haven’t found near my home), but I did find that yarrow grows in my yard which I find very exciting. The herbs must also be protected from sunlight for 24 hours before being dried and stored/used. If any of the herbs I’ve gathered this year remain by next Saint John’s Eve they must be discarded because they will have lost all power.
As I said before I harvested Yarrow from my yard but I was also able to gather some Bittersweet Nightshade, which for me has a special connection to The Great Earth-Indweller.
I added some Fayerieism flare to the gathering by performing a Plant Swaying Charm over both plants that I harvested from.
Blessings to you all
*the lighting is my porch light*
Half-formed ramble about magical identity
I’ve recently started coming to the realisation that, well that I don’t think “witch” really fits me anymore. This isn’t to say that I still don’t practice witchcraft or that it would be wrong to call me a witch, but more that my personal craft has developed in way that makes me question if it’s a moniker that still fits me.
Over the past several years, my craft has been moving more and more into the realm of charms and cures. I craft simple charms for people to gain luck and love. I walk folks through the processes of pulling off stagnant energy and uncrossing work. I still get requests to cleanse and bless homes. Owning a home and land for the past year has pushed me even more into the role of “village witch” I’ve started learning the language of my land, looking at potential plant and animal allies around me.
I think the two biggest influences for this change are my joining Fayerie Traditionalism/Fayerism and my study of folk magic
Fayerism focuses on spiritual ecology and the harmonious relationship between the Seen and Unseen worlds. Folk magic (as a magic of the people) is all about domestic life of the individual and the community.
All this is just a round about way of saying that I feel as if I’m growing into more of a “cunning woman” than a witch. My arte focuses on healing ailments (alongside modern medicine of course), attracting prosperity, and blessing those around me. I use my craft to help those around me whenever I and however I can, whether they be human or other-than-human persons.
And to be honest I’ve been moving away from the “witch” title for a while, although privately. Testing different mantles to find something that fit, sticking with “sorcerer/sorceress” for the most part. It wasn’t until last night that it stuck me how much like the cunning folk of Europe I’ve become.
I won’t correct any that call me “witch”, for as I said, I still practice witchcraft alongside other forms of magic. I’ll still be using the hashtag to appease the algorithms and I’ll still promote my services as a witch, but I think I’m going to start referring to myself as a “cunning woman” and see how that feels. I might even look into regional variants of the profession and see if the French had a localised term for the “cunning person/folk healer/white witch” as a nod to my ancestry
In modern Heathenry there is a concept of spirits known as the Disir (singular Dis). While there is some debate on the true origins of these spirits, it’s a common belief among todays Heathens that these are female ancestral guardians. I personally equate these spirits with The Mothers in Fayerie Traditionalism, those femme spirits that serve The Great Mother.
There are two modern festival/feast days associated with them: Mother’s Night, and Disablot.
But why not today? Why not Mothers Day? Today is a day that we celebrate the mothers of our respective families (blood and chosen) Today is a modern festival to venerate those enfleshed Matriarchs that we love and hold dear. To me it would make sense to extend that love and devotion to the Mothers that walk with us in the Unseen. Just sort of wondering out loud I suppose. I think in the future I might set aside time to honour all the Mothers in my life, Seen and Unseen.
Of Toads and Toxins
Warning: This post is super rambley and I’m sorry
(Shout out to Courir le loup-garou for being an amazing resource)
Three things have been on my mind a lot lately: ancestors, malefica, and the toad. So imagine my happiness and surprise when reading a blog post about Toads in French-Canadian folklore/folk magic being poisoners.
Since discovering French-Canadian sorcellerie via courir le loup-garou I have been trying to incorporate parts of it into my practice as a way of connecting with my Québécois roots. I’ve even recently found a language learning app that offers Canadian French/Québécois so I plan on learning the language as a way to further connect. Very very exciting!
I’ve also been slowly getting into using poisons more in my practice, specifically working with the plants spirits as allies and less working directly with them in herbal preparations. I’ve been particularly drawn to mandrake and foxglove. Foxglove specifically for its link to the fayerie folk so it makes sense to work with as someone who follows Fayerie Traditionalism.
~(I blame Coby of The Poisoner’s Apothecary for the poison path focus lol)~
In connection to the poison path is malefic magic. The idea of the witch as a poisoner, a blighter of crops, a caster of curses. Not that I’m someone who wants to just throw hexes around like they’re nothing but I’m more interested in studying them and researching how they operate magically.
The toad spirit has been one that has floated in and out of my craft for YEARS never fully leaving but not always being of high importance. I think that’s really because I’ve never figured out how to work with this spirit in a way that makes sense to my and my craft. Reading the blog on toads in French-Canadian folklore has given me some possible inspiration. I’m hoping to commune with the spirit of Toad to learn more of cursing and malefica and to employ my toad imp to carry out any curses or hexes that I may weave.
An invocation and a boon
VOCES MAGICAE
I’ve noticed a trend in modern magick that “the words don’t matter, only the intention” and this has never really been something that has sat well with me. If the words in spell craft “don’t matter” then why do we have such a long history of magickal words of power, incantations, prayers, liturgy and charms? The spoken word has always been one of the most potent forms or aspects of my magickal workings.
The last few years of working within Fayerie Traditionalism and the rites within “An Carow Gwyn” and “An Cawdarn Rudh” I’ve come into contact with barbarous names. Also called “voces magicae” these are words that are seemingly meaningless words that are supposedly magickal or powerful in nature. These words were/are usually bastardised words from languages that were not Greek or Latin. Incantations containing barbarous words come to us from The Greek Magical Papyri (Papyri Graecae Magicae or PGM), a collection of spells and rituals and liturgy from Greco-Roman Egypt. The power of these words comes not from any supposed meaning but from their sound of resonance. This can make employing them difficult because the magician must know the proper pronunciation. For this reason I am very thankful to Robin Artisson for giving phonetic spellings of any barbarous names (commonly referred to as “strange words” in the Fayerie Traditionalism material) used in rites and spells.
Other types of magickal words similar to these are ones Robin has given in “The Clovenstone Workings” the words of power given in that book are channeled words taught to him by the fayerie close to him. One such word is the word of the Gateway Ring: NURTANUMO. This word is in itself as spirit as well as an incantation. Speaking it correctly and with the correct ritual actions create a liminal space within which a sorcerer may commune with helpful and “friendly” spirits(I say friendly to mean that the word helps to keep out any spirit that might mean one harm or does not resonate with the purpose of ones magickal working). Along with NURTANUMO and other words of power given in “The Clovenstone Workings” they are accompanied by sigils formed by the letters of the word.
Another form of incantation or words of power that I want to start exploring is charms. I mean by this the spoken charms found in most forms of American folk magic. These re usually rhyming couplets that are believed to contain a power all their own, in some traditions though, one must be born a “charmer” to use them with any effect. Seeing as these come from forms of folk magic, many of these charms call upon the power of God, Jesus, the saints, apostles, or the Holy Trinity. Many pagans within the U.S. are coming into witchcraft and paganism from Christianity and carry with them some level of trauma. This in turn can cause hang ups of one kind or another when employing any types of magick that have any Christian trappings. I personally had these issues early on in my Path. Over time I came to a realisation that helped me (the following is UPG so take it accordingly) Power is Power. I personally believe that charms and and psalms that have a history of magickal use contain their own power that has been generated through belief. Generations of people spoke these words and believed in the power of them and so they have that power. Along that line of thinking is my belief that when I speak a charm it is not just me, but every person before me who spoke it for the same purpose. I am chanting and charming with the Ancestors and they bolster no only my Power but the Power of the charm. You can find collections of charms like this in the braucherei text “The Long Lost Friend”. Another source though not American is the “Carmina Gadelica” a collection of Scottish charms, hymns, prayers and lore. Gemma Gary as also written the “Charmer’s Psalter” a collection of psalms and biblical scripture used in English folk magic. (I do plan on getting my hands on all three of these eventually)
One last note on rhyming charms. I’ve seen a an explanation for rhyming couplets being used in magick as a way to enter into light trances to work magick. You write or find a charm that aligns with your purpose, and chanting it helps to “set your intention’ as you slip into trance. As far as I can tell this is a relatively modern explanation for their Power, it is however no less of an effective method. I have used this technique to help me enter trance, more specifically the level of trance I want when using glossolalia; speaking in tongues (another potent and powerful form of spoken word magick).
Looking back at the idea of belief giving words power. This idea is why I think it is possible to use incantations from media and pop culture in actual spell work. There are cases where a tv show or book will take a pre-existing spell or incantation and reword it slightly to fit the show or scene. In this case the ritual action accompanied by the spoken spell can have great effect. In other cases if you know how the spell operates within the fictional universe, this can signal your own spirit and those spirits you work with what you want to achieve. One personal experience I have with this is using the lost and found spell from Charmed. Anytime I employ this spell I fix an image of the object in my mind, breathe deeply, recite the spell three times, and then set the spell with a sharp clap and a “so mote it be”. In this way I’m not simply reciting the spell and expecting things to appear as happens in the show. I use the incantation in conjunction with real world magickal techniques and have always gotten positive results. Once I do this spell and continue searching I will often find the lost object within an hour, sometimes a day at most.
Regardless of your views on words in magick I think it does our history and Ancestors a disservice to simply dismiss them as an arbitrary or useless aspect of magickal practice.
Here’s my contribution to the #regionalwitchcraftchallenge started by Via Hedera
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So I wasn’t sure if I should have taken part in this because #Maine doesn’t really have anything (that I know of) that is specific to the region.
To make up for that, I try to incorporate as much of the local flora, fauna, and landscape as I can.
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-Maine black bear skull, gifted from a local hunter
-Novena candle (one side of my family is Catholic and that has started to influence my craft)
-Locally harvested cedar
-Two keepsakes of my departed grandparents
-Birch Water (à la “An Carow Gwyn”) with bark harvest from my property
-An antique rosary found while thrifting
-A hag stone from the coast of Maine
-Selected bones from my casting kit that are all local animals (red fox, coyote, beaver, bobcat)
-An arrowhead from our state museum
-Ritual blade made from white-tail deer
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